May 08

He’s a pooka.

Jim Parsons (Sheldon from “The Big Bang Theory”) was just on Letterman talking about his appearance in a Broadway revival of “Harvey.” Frank Fay originated the role of Elwood P. Dowd on Broadway, but for most of us, of course, Elwood is synonymous with Jimmy Stewart, who starred in both a 1950 movie adaptation and a 1972 TV movie adaptation!

My brother Michael played the part in Plano, Texas, with opening night on his birthday, and my parents, my sister and I drove down to surprise him.

There was also a little-seen TV movie adaptation with Harry Anderson of “Night Court,” and featuring Leslie Nielsen as Dr. Chumley. It wasn’t bad, and was an obvious labor of love for Anderson, but it had a sort of uneven tone – as if Nielsen, who by that time had been typecast in Zucker-Abrahams-Zucker style parody, wasn’t sure whether to play the part as Frank Drebin or as the authority figures he used to play prior to “Airplane!”

I’m having trouble imagining exactly what Parsons would be like in the role. But he’s a brilliant comic actor, as any viewer of “Big Bang Theory” can attest. I liked his answer when Letterman questioned him about the exact nature of Dowd’s condition. Parsons said that he plays the role as if Dowd has no “condition” – Dowd, as far as Parsons is concerned, simply has an invisible six-foot-tall rabbit for a best friend. From an acting standpoint, that’s exactly the right answer. Since I doubt I’ll make it to the Big Apple this summer, I look forward to seeing some clips. Meanwhile, I need to see if I can track down a DVD or Turner Classic Movies airing of “Harvey.”

Nov 11

Theater of the mind (brought to you by Lady Esther cosmetics)

As I explained yesterday, I’m going to appear in a play which tells the story of “It’s A Wonderful Life” as it would be presented on old-time radio. Actually, movies and radio scratched each others’ backs during the golden age. If you’ve ever read the trivia pages for old movies on the Internet Movie Database, you’ll note that many of them were turned into radio plays, using the top two or three stars from the original movie, surrounded (I presume) by the type of versatile radio utility players we’ll be channeling on stage.

IMDb says that there were, in fact, two such adaptations of “It’s A Wonderful Life,” both broadcast in 1947, not long after the movie was in theaters.

I was looking up old radio shows online – there are plenty, at sites like The Internet Archive, RadioLovers.com and the Old Time Radio Network. I haven’t found “It’s a Wonderful Life” yet, but I’m right now listening to another Jimmy Stewart classic: “The Philadelphia Story”, in a 1947 Screen Guild Theater adaptation with Stewart, Katharine Hepburn and Cary Grant in their original roles. The story is quite condensed – into a 30-minute radio show! — which works just fine for the audio format, although it requires some clunky exposition, both as dialogue and from the announcer at the beginning of each act. This seems to have been produced in front of a live audience. It’s one of three different radio adaptations mentioned by IMDb; the other two were 60 minutes in length, one with Ruth Hussey and Virginia Weidler in addition to Stewart, Grant and Hepburn, the other with only Stewart from the original cast.

In those days, of course, once a movie left the theater it was gone – the very biggest hits might possibly be rereleased, but everything else disappeared into the vaults once it ended its original run. There were no TV broadcasts, no DVDs, no way to re-view something you’d enjoyed seeing on the big screen, or catch up with something you’d missed. So these radio adaptations were, in their day, a nice bit of instant nostalgia, as well as a way for stars to promote themselves and their upcoming projects. The Screen Guild Theater adaptation of “The Philadelphia Story” ended with mentions of where you could see each of its three stars in current screen projects: Stewart’s current project at the time was … wait for it … “It’s A Wonderful Life.”

I have, on cassette tapes, the adaptation of the original 1977 “Star Wars” movie which was done for the BBC with Mark Hammill and Anthony Daniels reprising their film roles. The BBC approached George Lucas for permission and he agreed, but only if his alma mater USC was involved in the production. This was done as a serial, and actually includes scenes which were cut from the movie, emphasizing young Luke Skywalker’s admiration for, and later reunion with, Biggs, a neighbor on Tattooine who joins the rebel alliance. I haven’t listened to it since I originally bought it (I also heard it on public radio when it first aired in the 1970s, perhaps the first public radio I ever listened to). I need to break it out and give it a listen.

Jun 29

Aptly named

In 1952, a 4-year-old boy named Steven thought he was going to the circus. I’m not certain from the stories I’ve heard whether he misunderstood or whether he was playfully misled. He was disappointed — at first — when he was taken to a big building with seats facing a flat white screen, where he watched moving pictures of the circus instead of the real thing. Eventually, though, he realized that the pictures held their own magic.

Turner Classic Movies has been saluting directors during the month of June, and tonight the object of their affection is one Cecil B. DeMille. I have watched a little bit of “The Greatest Show on Earth” tonight, but mostly I’m taping it to enjoy later.

The movie was preceded by a documentary about DeMille during which Steven — who went on to direct his own movies, such as “Jaws,” “E.T.”, “Raiders of the Lost Ark” and “Schindler’s List” — told the story of being taken to see the movie by his father. I don’t think it’s a coincidence that this was Spielberg’s first movie. It’s a great example of how movies can transport you to another place and time, in this case the vanishing days of the big-top tent circuses.

As always, DeMille has both glamour and spectacle. You have Chuck Heston, with all of the machismo but before some of the pomposity, as the road manager for the show; Jimmy Stewart, lovable as always, in constant clown makeup for reasons I won’t spoil here; Betty Hutton, Cornel Wilde, Dorothy Lamour and a cast of thousands, including real circus performers of the era.

A real treat, for all ages.

Jul 30

Moonlight serenade

I’m watching “The Glenn Miller Story” on TCM. I’ve watched it many times before. It’s hokey as all get-out, it’s just as historically inaccurate as most Golden Age entertainment biographies, and June Allyson’s character is so cheery and supportive she’s almost pathological, even for that era.

But, doggone it, it’s hard not to love the movie. Jimmy Stewart is great as always, and he and Allyson (who co-starred together several times) are a great pair. And Harry Morgan (back when he was still billed as “Henry”) is great as well. He looks quite a bit different from his “Dragnet” and “M*A*S*H” characters!

It’s hard not to get choked up at the ending.

[imdb]0047030[/imdb]