When I first signed up for Mountain T.O.P. Adults In Ministry (AIM) in 1993, it was because I thought it would be fun teaching creative writing to teenagers as part of the “Summer Plus” program. I had no teaching experience; my only experience was as a writer.
I didn’t actually get to teach the class that first year, but I’ve taught it many times since. Some have been more successful than others. Creative writing is the type of workshop where the teens have to want to be there. If they don’t – maybe they got their first choice of workshop in the morning but were arbitrarily assigned to creative writing in the afternoon – it seems an awful lot like school. I try hard not to make it seem like school, but I don’t have all of the tools in my toolkit that a professional educator would have.
Anyway, the past couple of years, for reasons I won’t go into, I haven’t been able to make plans in advance to go to AIM. In both 2013 and 2014, I got the chance to go at the last minute – which was great, but what it meant was that the lineup of Summer Plus workshops was already in place and they didn’t need to add another one. So I participated in Summer Plus solely as an assistant in someone else’s workshops. Last year, for example, I helped out in a cooking workshop taught by Jean Nulle and in a photography workshop taught by Bobby and Robert Matthews. That was fun – I enjoy helping in a workshop, especially in crafty sorts of workshops where it works out for the helpers to jump in and do the project alongside the teens.
But I still missed teaching my own workshop. And so, this year, when I was able to get my AIM application in well in advance, I looked forward to creative writing. I waited patiently to hear something. In the past, some of the preliminary arrangements for Summer Plus would sometimes be made by the year-round staff, and so you’d get a call a month or two before camp confirming what you wanted to teach and so on. But now, all of that is handled by the summer staff – who’ve only been on duty a few weeks and who’ve been busy this past week running the first AIM event of the summer. So I’ve been on pins and needles waiting to hear from somebody and confirm that I would, in fact, be teaching creative writing.
I got my courtesy call today, and everything is “go” for me to teach creative writing. I will only have one session (which is my preference, although I’d have done two sessions if they’d needed me to). The other half of the day I will be helping out with someone else’s workshop.
I generally start out by having the students (along with any helpers) pair up and interview each other and write a simple paragraph which they can use to introduce each other to the group. Then we talk about the importance of good description. At this point, I generally break out the party game “Taboo.” In this game, a player must describe a word or concept to his or her teammates – but can’t use the five most-obvious clues, which are taboo. For example, you might have to describe “Superman” without using “hero,” “Clark Kent,” “Lois Lane,” “fly” or “Krypton.” A member of the opposing team stands over your shoulder with a buzzer, ready to penalize you if you say one of the “taboo” words. There’s an egg timer, and you try to get your team to guess as many cards as possible before time runs out and the other team takes a turn.
We use the game to make a point about colorful description, but it’s also just fun to play. Later in the week, I’ll use it at the end of the session if we have time to kill or the natives are getting restless.
I’m on my second Taboo game, and I really need a new one – the buzzer is made of parts from the first game and the second game put together, and some of the cards have out-of-date cultural references that I suspect have been changed in the latest edition.
How far we go with storytelling depends on who’s in the class and what level they’re at. Some years, we’ve worked on a short and simple group story, short enough to be read aloud during our presentation for parents and family members at the end of the week.
One year, Diana Simmons Woodlock, the daughter of Mountain T.O.P. executive director Ed Simmons, was my helper in the class – a bit intimidating, since Diana really is a teacher. She told me at the end of the week that she’d been skeptical about the group story idea but was amazed at how far we’d gotten with it. That made me feel good.
I talk to the teens about the importance of journaling – as always with Summer Plus, we’ll have teens from a variety of home situations, good and bad, and some of them would no doubt benefit from an outlet. (One year, a girl actually told me that her counselor had encouraged her to journal.) I give them blank journals at the end of the week as a gift. Most of the journals I have were donated to me some years back, but in 2013 or 2014 – during a brief window when I thought I might still be teaching the class – I realized that most of the remaining journals were very girly in appearance. As it happens, most of my students over the years have been girls, but there have been boys, too, and so I rushed out that year and bought two or three gender-neutral looking journals just to be on the safe side.
I can’t wait to see how things go this year.